Entries Tagged as 'Biography'

Villain of the Month: Mischa Auer

When classic movie fans think of a mad Russian character in films they think of Mischa Auer.  Ironically he had played predominantly villains in his early career.  Born in Russia, he left with his mother during the Lenin led Soviet revolution.  Sadly she died soon after and Auer was forced to continue on alone, eventually making it to America and his grandfather who had him study music.   Though an accomplished musician it was acting that he really wanted to to do and thanks to his grandfather’s connections made his debut on Broadway in 1925.

Mischa soon migrated to Hollywood, where he began playing villains in such films as The Monster Walks (1932), Sucker Money (1933) and Lives of a Bengal Lancer (1935).  He also appeared in several serials.  Mascot cast him as one of Boris Karloff’s henchmen in King of the Wild (1931).  He then played a villainous high priest in Principal’s Tarzan the Fearless (1933) and a similar role in Mascot’s The Adventures of Rex and Rinty (1935).

Then came the role that would change Auer’s career.  Cast as a fake nobleman/ con artist in My Man Godfrey (1936), Auer was forever typecast as a comedic actor.  He would go on to appear in such films as You Can’t Take It With You (1937), One Hundred Men and a Girl (1938) and Destry Rides Again (1939).

During the forties he had his own radio show, Mischa the Magnificent, and appeared in such films as Hold That Ghost (1941),  Brewster’s Millions (1945) and  Sentimental Journey (1946).  Relocating to Europe after the war he continuing making films, most notably Orson Welle’s Mr. Arkadin (1955), until his death in the late sixties from a heart attack.

Heroine of the Month: Amelita Ward

Amelita Ward was an attractive contract player for RKO, usually apearing in their B series films like The Falcon in Danger (1943), The Falcon and the Co-eds (1943) and Gildersleeve’s Ghost (1944).  The studio also loaned her out to other companies where she made  Clancy Street Boys  (1943) with The East Side Kids and the last of Universal’s Ape Woman horror films Jungle Captive (1945).

Her only serial was helping hero Robert Kent track down the mysterious killer targeting her family in Sam Katzman’s inaugural serial for Columbia, Who’s Guilty? (1945).  After RKO she would go on to appear in the acclaimed Best Years of Our Lives (1946) and several Leon Errol comedies like Oh Professor, Behave (1946) and Secretary Trouble (1947).

Then came the movie that would change her life.  Returning to Monogram, she made Smuggler’s Cove with The Bowery Boys and fell in love with star Leo Gorcey (one wonders if there had been attraction on their initial meeting back in the earlier East Side Kids movie).  They were married a year later.  Sadly the marriage, like Gorcey’s others, didn’t last.

Hero of the Month: Billy Halop

Acting is a tough profession to make a living in and can lead to some bitter disappointments. Billy Halop is a case in point, a child actor who was never really allowed to become a successful adult actor as he got older.  Halop came from an acting family, his mother was a dancer and his sister became a well known radio actress.  Halop’s early work was in radio, most notably the star of Bobby Benson, a three time a week children’s serial about the adventures of a teenage owner of a ranch near the Mexican border.  From there he garnered a leading role in Sidney Kingsley’s hard hitting drama Dead End, on Broadway.

This eventually lead to Halop, along with fellow cast members Leo Gorcey, Huntz Hall, Gabriel Dell, Bobby Jordon and Bernard Punsley traveling to Hollywood to reprise their roles for the film version of Dead End (1937).  The group, now dubbed The Dead End Kids, became stars and were featured in hard hitting dramas like Crime School (1938) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and They Made Me a Criminal (1939) with John Garfield.  After Dead End Kids on Dress Parade (1939) Warner’s felt that the fad of delinquent films was fading, plus the group’s antics were causing disruptions around the lot, and The Dead End Kids were dropped from the roster.

A long standing antagonism between Halop and Gorcey over leadership of the group, that ironically mirrored their on screen personas, caused the original team to split up.  Gorcey moved over to Monogram and built The East Side Kids with Bobby Jordon.  Halop and the rest went to Universal where they were dubbed The Little Tough Guys.  With the change in studios the group quickly went from making serious message dramas to B action comedies like You’re Not So Tough (1940), Hit the Road (1941) and Mug Town (1943), where like rival East Side Kids they spent most of their time  playing a street gang taking on racketeers.

It was inevitable that they would be featured in some of the studio’s serials.  Starting with Junior G-Men (1940), the guys help out the FBI round up a subversive group of fifth columnists who have kidnapped Halop’s invertor father.  Next up was Sea Raiders (1941) with the gang taking on a group of foreign saboteurs after a new boat invented by Halop’s older brother (Starting to notice a trend here?). Halop took time out from the group to make Sky Raiders (1941) playing a clean cut kid helping his aviator hero stop a group of foreign spies from stealing the man’s new plane.  Halop’s final serial was back with The Little Tough Guys in Junior G-Men of the Air (1942) as he fights Japanese spies who have kidnapped his inventor younger brother for his new plane muffler needed for the attack on Pearl Harbor.

The war ended The Little Tough Guys series, Halop went into the military, Punsley went to college and became a doctor, Hall and Dell went over to Monogram and joined Gorcey’s East Side Kids.  After the war Halop was again cast as the leader of a teenage gang in the Gas House Kids (1946) with former Our Gang star Carl “Alfalfa” Switzer.  A name change  to William Halop did little to garner him more adult roles and his developing drinking problem didn’t help.

In the fifties he worked as an electric dryer salesman while getting small roles on TV shows like The Cisco Kid and Boston Blackie.  During the sixties he appeared on Perry Mason, The Andy Griffith Show and Gunsmoke.  He also had another career change, taking care of his third wife, who had multiple sclerosis, led him to become a registered nurse.  Some of his last acting work was a recurring character on All In the Family.