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Overlooked Again

I was over at Borders the other day, trying to figure out what to spend my Christmas gift card on, maybe a Raymond Chandler collection, maybe not.  Anyway, I was looking through the film magazines for any new articles on The Spirit, or to see if FilmFax had put out a new issue, when I came upon a special year end issue from Wild West Magazine listing the 100 Greatest Westerns of all time.

Curious, I flipped through it and saw the usual entries; Shane, The Man Who Shot Liberty Valance, Unforgiven and High Noon.  Disappointing, but not too surprisingly,  I noticed a distinct lack of the good old B western movies from stars like Gene Autry and “Wild Bill” Gordon Elliott as well as any western serials.

Now I can understand a lack of interest on the part of “serious” film fans and critics for these lowly escapist entertainments.  After all it is unlikely that  a film like The Ranger and the Lady or a serial like Adventures of Red Ryder would stand up when compared to films like Rio Bravo or Hang ‘Em High. But what rankles is they’re ignoring them as if they didn’t even exist.   Which is pretty callous and  overlooks the fact that companies like  Universal were able to sustain themselves with little B westerns and serials during hard times when their big budget extravaganzas flopped and almost bankrupted their studio.

Again l know that these films don’t compare in quality to the films they listed in their magazine, but it would have been nice if in the introduction they mentioned that B Westerns and serials were not being considered for such and such reasons and I would have said to myself okay I can understand that.  But by not saying anything, they give out the message that these films, and their fans, aren’t worth any consideration.  Which sets off my desire to blog a tirade.

So much for that pledge to be more upbeat and not complain that I made last week.

Positive Attitude

A few nights ago I’m watching G-Men Never Forget while waiting for my wife’s shift to end so I can pick her up and I found myself marveling at how much you could see that Clayton Moore was enjoying himself playing in a serial.  He exuded charm and charisma effortlessly though out. It made me think of his autobiography and how he seemed to enjoy working at Republic, even though he didn’t get paid a salary equal to stars like Basil Rathbone or George Sanders at more prestigious studios.  This carried over to his work on The Lone Ranger, where he didn’t seem to mind the type casting, and continued having a career touring conventions and shows after the TV program had ended.  He just seemed to be the kind of guy who didn’t lament the things that didn’t go the way he wanted and considered himself blessed for the what he did get.  With the holidays approaching I think that is just the kind of attitude to have.  Instead of being bitter about what I don’t have, I’m going to try and be thankful for what I do have, for at least until after New Years.  Let’s be realistic, nobody can not not complain about something.  But for a couple of weeks I’m going to try, I’m sure The Lone Ranger would approve.

Looking Foward to The Spirit

Now I’m a guy that likes good old pulps and comics.   Nothing better than kicking back with a  Robert Leslie Bellem  Dan Turner mystery pulp story or a classic Bob Kane/ Bill Finger Batman comic.    So of course I’m looking forward to the new Frank Miller film based on Will Eisner’s ground breaking newspaper comic book, The Spirit.  The trailer shows the film to be in that murky shadow infested noir tradition peppered with frothy pulp/ comic book dialog, like “They call me the Octopus because I have eight of everything!”  Of course being Frank Miller there is going to be a lot of angst and ambiguity on the part of the protagonist’s motives  (Miller has a thing about not letting good guys be good guys, they’re just not as bad as the villains, as in Sin City) but that’s okay as long as the hero has his mask, red tie (love that joke in the trailer) and Commisioner Dolan to chastise him I’ll be happy.