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Doc Savage: Chapter 9

DOC SAVAGE: A COLUMBIA SERIAL IN 15 CHAPTERS

Producer: Larry Darmour
Director: James W. Horne
Photography: James S. Brown, Jr.
Script: Basil Dickey
George H. Plympton
Wyndham Gittens
Music: Lee Zahler

Cast:

Doc Savage: Larry “Buster” Crabbe
Pat Savage: Iris Meredith
Tarnack: James Craven
Natalia: Veda Ann Borg
Renny: Roy Barcroft
Ham: Tristram Coffin
Monk: Charles King
Long Tom: Guy Wilkerson
Johnny: William Bakewell
Brown: Ray Teal
Taylor: Al Ferguson
Butch: Jack Ingram
Karl: George Magrill
Wheeler: Dick Botiller
Meeks: Kit Guard
Lyle: Lester Dorr
DA Warwick: Forbes Murray
Inspector Nolan: Robert Fiske
Judge Watkins: Selmer Jackson
Tuka: Al Kikume
Narrator: Knox Manning

Recap: “Doc Savage, the Scourge of the Underworld, has been arrested for the crimes being committed by master criminal Tarnack! Ham’s brilliant legal maneuverings free Doc! Doc and the Fabulous Five leave the courthouse unaware of the danger that lurks overhead!”

CHAPTER 9: THE PIT OF DOOM

Doc and his friends are leaving the courthouse all smiles congratulating both Doc and Ham. A man on a roof top aims a rifle at Doc and shoots. Doc grabs his chest and collapses on the ground.
The Fab Five gather around their fallen leader, Johnny rips open Doc’s shirt and is pleased to see that he was wearing his bullet proof vest, the bullet merely knocked the wind out of Doc. As they are helping Doc to his feet, Renny spots the man trying to escape along the roof tops. Doc has everyone separate to surround the man, while he nimble climbs a rain spout to the roof and chases the man down on foot.

After leaping several rooftops, Doc catches up to the assassin. He tries to get down a fire escape but sees Ham and Monk coming up it, the door to the roof bursts open with Renny, Johnny and Long Tom emerging from the stairs. With all routes of escape blocked the man surprisingly jumps at Doc to try and fight his way to freedom. Doc quickly subdues him.

Placing his fingers on certain spots around the man’s head, Doc paralyzes him while putting him into a hypnotic state where he is unable to lie. He says his name is Meeks and he was hired to shoot Doc when he came out of the courthouse. He doesn’t know the name of the man who hired him, but has a phone number he was to call when he completed the job.

Doc quickly makes arrangements to have Meeks shipped to his private sanitarium, where he will be rehabilitated into a law abiding citizen. Then he traces the phone number and finds that it is a phone booth at Grand Central Station. A watch on the booth proves uneventful as no one goes to it to wait for Meeks’ call.

Later Doc receives a call from Pat. Natalia is starting to frequent Pat’s beauty parlor. She gives Doc the time of her next appointment. When Natalia gets her hair done, Doc is hiding around the corner. When she leaves, he follows her. She goes to a house out in the hills. Doc waits several minutes after she enters the house, then sneaks in through a ground floor window. When he touches the door knob to exit the empty room, an electrical shock knocks him unconscious.

Tarnack and his men enter the room. Tarnack chuckles at the ease with which they captured Doc. He has his men remove Doc’s utility vest and then carry him to another room. When Doc wakes up he hears Tarnack taunting him from a loud speaker, berating him for walking into such an obvious trap. Then the floor under Doc moves to reveal an alligator pit below. Tarnack wishes Doc a fond farewell, then a motor starts up. The wall starts moving, pushing Doc toward the gaping pit and the hungry alligators waiting below.

“Tarnack is committing another robbery! Can the Fabulous Five stop him! Pat looks to be in deadly danger! Who can rescue her! Don’t fail to miss THE DEADLY BEAM! Chapter 10 of DOC SAVAGE at this theater next week!”

A Proposal to Sony/Columbia Pictures

I got The Icons of Horror: Sam Katzman Collection out of the library the other day to watch Chapter Two of Mysterious Island (1951) that was included in the special features section. I wasn’t really interested in the movies themselves, having seen them all when I was a kid and with the exception of the great transformation seen in The Werewolf (1956) where the man changes into a wolf while talking to someone, had never been too thrilled with them, Katzman’s horror films are usually the opposite of his serials, long on talk, short on action (Some of you could argue that, citing Earth vs the Flying Saucers (1956), but come on, with the exception of the ending where the saucers blow up half of Washington, most of the film is just scientists and generals standing around talking about what to do.)

But that isn’t what I really wanted to talk about.  What I wanted to talk about was the inclusion of a serial chapter in the two disc set.  I’m not sure why they did this.  For a serial fan like me, it’s great, I get to see part of a serial I’ve not had the opportunity to view, but for someone not familiar with serials they would be completely lost, seeing a snippet of a story in which everybody just seems to run around from one place to the next for no apparent reason.  If Sony/Columbia was wanting to give a taste of Katzman’s serials why not use Chapter One, as it is serial fans are frustrated because they don’t get to see the whole thing, and horror fans are frustrated because all they get is a confusing hodgepodge of action without barely any explanation behind it.

So I have an idea to propose to Sony/Columbia.  You have access to Katzman’s serials, there is a big serial buying public interested in them as you have obviously learned with the Superman and Batman releases (not to mention seeing VCI’s success in selling suck titles as Captain Video (1951) and Jack Armstrong (1947)), what would make better sense than to start releasing his serials.  You could call it The Sam Katzman Serial Collection and could put out individual titles or box sets.  Can’t you just see it?  The Sam Katzman Sci-Fi Serial Collection with Brick Bradford (1948),  Mysterious Island (1951), and The Lost Planet (1953); or the Sam Katzman Jungle Serial Collection with Congo Bill (1948), King of the Congo (1952), and The Adventures of Captain Africa (1955), and maybe even including a feature film as a special bonus like It Came From Beneath the Sea (1955) or Jungle Jim (1948).  Better yet the Sam Katzman/ Buster Crabbe Serial Collection with The Sea Hound (1947), Pirates of the High Seas (1950), and King of the Congo (1952).  Trust me, you put out a premium product and we would buy it.

Just think about it okay?

New Dick Tracy Release

Just got word from VCI that  Dick Tracy’s G-Men is scheduled for a July release.  Woo hoo!